Continuing my non-blog hop post, the following books are ones that have stayed with me and inspired me as a writer (see Part 1 where I discuss books 1-3: Iggy Peck, Architect, The Adventures of Nanny Piggins, & Vunce Upon a Time). But rather than simply listing them, I’m sharing explanations as to why I hold these books in such high personal esteem. Onward we go!
4. The Curious Garden written and illustrated by Peter Brown
Why this book? The first best book of the century
I can’t remember when I first encountered The Curious Garden. It was probably in 2009 when it was originally released, but it was well before I had any interest in diving in to the kidlit community. While the illustrations are fresh and modern, they still have a classic feel. This book gives me chills, a quality in a picture book I strive to someday write. The story is simple but also deeply layered, as are Brown’s illustrations. Yes, it’s Loraxian in content, but rather than telling us we can make a difference, Liam shows us how a single child can change a community (and the environment).
In my opinion (and to me, that’s one of only a few that count), I believe that 40 years from now we will look back at the first hundred years of picture books and The Curious Garden will be labeled as one of the best ever. To me it already is.
5. The Gardener written by Sarah Stewart and illustrated by David Small
Why this book? Talk about shivers, this one may cause a tear or two
While both The Curious Garden and The Gardener involve urban gardens, that’s about all they have in common. First off, The Gardener is written entirely in letter form. I recently learned that literary technique is referred to as epistolary via a rejected query of my ‘soon to be published by Viking/Penguin’ manuscript Dear Dragon*. I very much enjoy non-standard storytelling techniques, as well as non-standard story arcs. I’ve never been much of a rule of 3 writer, myself.
The Gardener has multiple plots and subplots. Will Lydia Grace fit in in the city? Will Uncle Jim like his surprise? Will Lydia ever get home? Not to mention minor, but critical characters like Ed and Emma Beech & Otis the store cat. The wordless spreads are priceless. I think I tear up on each of the final three spreads.
And yes, this won a Caldecott Honor, but it doesn’t need the honor to be a classic. It’s also nice to find out that the author and illustrator are wife and husband (I’m still trying to get Mama Funk to collaborate with me on something. I haven’t given up, Mama Funk!).
* I used the word epistolary in every subsequent query of Dear Dragon. #QueryTip: Re-use the positive language and remarks from personalized rejections in future queries – if that’s how agents & editors write about your manuscript, then that’s probably how they’d like to hear it.
6. Jurassic Park written by Michael Crichton
Why this book? Because I faked being sick in junior high so I could stay home and read this book
What? Jurassic Park? Josh, have you lost your mind? Well, this book is here for one simple reason (stated above). I was far from a voracious reader as an adolescent. Having said that, this was probably the first non-Beverly Cleary / Cam Jansen / Matt Christopher / Johnny Tremain / book report book I’d ever read. Jurassic Park was an eye-opener.
Why not Harry Potter, you ask? Well, to be honest, when I came up with the list as a Facebook post, for some reason Jurassic Park popped right into my head. Maybe Harry Potter was too cliche? Maybe it was too obvious? Maybe because it’s 7 books and I would have a hard time picking only one (#3) or two (#3 & #6)? Maybe it’ll be in the next post (it won’t)? I really don’t know. Much of the list was sort of a stream of consciousness (see The Curious Garden followed directly by The Gardener). So, yeah. Jurassic Park. Deal with it.
7. The Sneetches and Other Stories written and illustrated by Dr. Seuss
Why this book? Dr. Seuss. Duh.
I had a hard time deciding between this and The Lorax (I was only going to pick one Dr. Seuss). Of all the long-form Dr. Seuss books that espouse some semi-veiled political angle, I think I’ve always appreciated the subtlety of The Sneetches. And the outcome. The war never ended in The Butter Battle Book. All we’re left with is hope in The Lorax. How safe is the tiny speck of Whoville once Horton’s tale ends? (Perhaps I also don’t like open ended stories, huh?)
Also, in my effort to end all Facebook and blog hops, I subtly tagged characters from each of the books rather than actual people -> and Sylvester McMonkey McBean sounded more subtle than The Onceler or The Lorax (not much more subtle, I know).
I know that no writer can ever write like Dr. Seuss or s/he will simply be copying Dr. Seuss, but while waiting for the midnight release or Harry Potter and the Half-Blood Prince at Borders (R.I.P.) in Sterling, VA, I read that Dr. Seuss fixated on every syllable in his stories. I believe that’s one of the reasons why his rhythm was so perfect. I also believe that not only every word, but every syllable deserves that kind of attention (and as I said earlier, my beliefs are really all that’s important to me).
And those other stories aren’t bad either. But I really chose this for The Sneetches.
The final installment of this series will appear … soonish!
Jump to Part 1
Jump to Part 3